Owen Pallett Toronto, Ontario
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This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time.
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Diamanda Galás In Concert
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A live record from the legendary Diamanda Galás finds the artist exploring the outer fringes of pop with only her voice and a piano.
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The Brooklyn-based cellist cultivates a digital forest with an astonishing array of sounds.
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We Have Dozens of Titles
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A new compilation of studio recordings and live rarities captures another side of ’90s experimentalists Gastr del Sol.
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Promises
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hypnotic and incredibly moving
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