Owen Pallett Toronto, Ontario
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supported by 14 fans who also own “The Riverbed”
savior complex makes my stomach feel full when i forgot to have breakfast
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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
supported by 11 fans who also own “The Riverbed”
Phew, this seems to be the last album, up to now, and it took me 9 years to notice it! What the hell went wrong there? After listening only halfway through it, I'm wondering if this might also be her best one... She's always been quite idiosyncratic, but comparisons with Kate Bush, Tori Amos aren't too far fetched, I think. Stylistically broader than previous albums, I guess, and probably more song--centered ..?
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Trying is all we ever can do.
by EYEMNOBDY
featured on Bandcamp Radio Apr 19, 2024
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Diamanda Galás In Concert
by Diamanda Galás
A live record from the legendary Diamanda Galás finds the artist exploring the outer fringes of pop with only her voice and a piano.
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The Brooklyn-based cellist cultivates a digital forest with an astonishing array of sounds.
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supported by 10 fans who also own “The Riverbed”
This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time.
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